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| 商品編號： | DCF5286 |
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| 商品名稱： | Where are the people People’’’’s Theater in Inter-Asian Societies 出版公司:國立陽明交通大學出版社 作者:Ratu Selvi Agnesia, Glecy Cruz ATIENZA, etc. 類型:藝術-戲劇 EPUB電子書 英文版 |
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| 商品分類： | 醫學保健、藝術、類型文學 |
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| 語系版本： | 英文版 | |
| 運行平台： | EPUB電子書,沒有任何平台限制,終身使用 | |
| 更新日期： | 2025-09-01 |
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| 光碟片數： | 1片CD光碟 |
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| 銷售價格： | $100元 |
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| 熱門標籤： | 藝術
戲劇
Glecy
Cruz
ATIENZA
Where
people
Peoples
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Where are the people People’’’’s Theater in Inter-Asian Societies 出版公司:國立陽明交通大學出版社 作者:Ratu Selvi Agnesia, Glecy Cruz ATIENZA, etc. 類型:藝術-戲劇 EPUB電子書 英文版
商品資料
作者：Ratu Selvi Agnesia, Glecy Cruz ATIENZA, etc. 、譯者：BAEK Jin-sol, Kris CHI,Victor FUNG Tsz Ching,etc.
出版社：國立陽明交通大學出版社
出版日期：2023-07-20
課程類型：藝術>戲劇
ISBN/ISSN：9789865470708
內容簡介
Where Are the People?
How Could the People’s Bodies Voice Themselves in the Form of
Theatrical Aesthetics?
At That Time, the Audience Really Stood Up.
In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater.
“People’s theater” belongs to the people.
It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms.
People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artists from these spaces, we can figure out the body aesthetics that carry historical conflicts and the experience to find the form and channel of expression, and continue for work of thinking and creation.
“People Theater” is nothing but a rehearsal for a revolution.
This book has reviewed and reflected on the half-century development of people’s theater in inter-Asian societies, demonstrates how the theatrical practitioners and artists in different communities strived to open various spaces, dealt with the censorship from the authoritarian regime to the neoliberal societies, and experimented with diverse aesthetics and local objects to address political issues.作者簡介： Ratu Selvi Agnesia／A young female theater researcher active in Jakarta.
Glecy Cruz ATIENZA／A Professor at the College of Arts and Letters, University of the Philippines, Diliman, Quezon City.
AU Sow Yee／A guest writer for the online magazine No Man’s Land; Co-founder of Kuala Lumpur’s Rumah Attap Library and Collective.
BAEK Dae-hyun／A producer and an actor for the works of SHIIM.
Richard BARBER／A theater worker and independent scholar working as the co-director of Free Theatre in Melbourne, Australia and advisor to the Makhampom Theatre Group in Thailand.
Assane Alberto CASSIMO／A coordinator and founding member of Associacao Teatro em Casa.
CHUNG Chiao／A playwright, theater director, poet, and the artistic director of Assignment Theatre.
Dindon W.S.／The Director of Teater Kubur.
Muhammad FEBRIANSYAH／A lecturer at School of Social Sciences, Universiti Sains Malaysia, Penang.
HAN Jia-ling／A history and rural education scholar and activist.
HONG Seung-yi／Currently working at Theater BAKK.
Hsiao-Chuan HSIA／A Professor at the Graduate Institute for Social Transformation Studies, Shih Hsin University.
KUO Liang-ting／An adjunct lecturer at the Chinese Department of National Chung Cheng University.
LEE Show Shin／An artist from community people’s theater and a family care worker.
LIU Hsin-hung／The main participant of Yuquan Training since 2015.
Adaw Palaf LANGASAN／The founder and director of Langasan Theatre.
WANG Chu-yu／A contemporary artist, performance artist, and curator based in Mainland China.
WANG Mo-lin／A theater director, performance artist and cultural critic Robin WEICHERT (Tokyo).
Robin WEICHERT／A teacher of Hosei University, Tokyo.
WU Sih-Fong／A theater Critic, Associate editor of Performing Arts Forum (Macau).
ZHAO Chuana／A writer, theater maker and curator who creates alternative and socially engaged theater in China. Also, he is the founding member and mastermind of the theater collective Grass Stage since 2005. 譯者簡介： BAEK Jin-sol／A student of master programme of Inter-Asia Cultural Studies at National Tsing Hua University in Taiwan.
Kris CHI ／M.A. of National Central University Department of English.
Victor FUNG Tsz Ching／A freelance translator graduated from Department of English, City University of Hong Kong.
LEONG Jie Yu／A Master’s degree in English Language Studies from the University of Malaya.
LIANG Chun-wen／Graduated from Department of English, National Central University.
LO Chun Yat, Timothy／M.A. of the Institute of Social Research and Cultural Studies, National Yang Ming Chiao Ting University.
Shu-Chuan LIN／M.A. of National Chung Hsing University Department of Foreign Languages and Literatures and freelance translator.
IP Po Yee／M.A. of the Institute of Social Research and Cultural Studies, National Yang Ming Chiao Tung University.
Jonathan S. PARHUSIP／Ph.D. of the Institute of Social Research and Cultural Studies, National Yang Ming Chiao Tung University.
Kin TONG／A translator and researcher on psychoanalysis theory.
目錄
Opening Night
Mapping People’s Theater
PREFACE Making Inquiries among the People: A Kind of On-site Performative Archive_LIN Hsin-I
PREFACE Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics?_Joyce C.H. LIU
EDITORIAL NOTES Flowing Histories of People’s Theater in the Inter-Asian Context_Qi LI and Zikri RAHMAN
Part I Heralds of Resistance: Inter-Asian People’s Theater In the Early Days
PETA’s GOLD: Gaming the Nation, Changing Asia_Glecy C. ATIENZA
Transnational Networks, People’s Theater and Radical Opposition in the New Order Indonesia_Muhammad FEBRIANSYAH
Moving History: Representation of Teater Kubur Performances from the New Order Regime to Post-Reformation in Indonesia_Ratu Selvi Agnesia and Dindon W.S.
Sejarah Yang Bergerak: Representasi Pertunjukan Teater Kubur Dari Orde Baru hingga Pasca Reformasi di Indonesia (Indonesian)_Ratu Selvi Agnesia and Dindon W.S.
A Transformative Theater of Dialogue: The Makhampom Theatre Group’s Negotiation of Thailand’s State of Repression_Richard BARBER
Angura Afterlives: On Sakurai Daiz?’s Theory of “Tent Theater”_Robin WEICHERT
Review: Beyond These Words_AU Sow Yee
Part II Emancipation of Body: The Origin and Transformation of People’s Theater In Taiwan
People’s Theater in Taiwan: A Flooded History_HAN Jia-ling
The Presence of the Oppressed_WANG Mo-lin
Can Theater Transform the World? Reflections on the People’s Theater in Asia_CHUNG Chiao
Theater and the Worship Ground: Langasan Theatre_Adaw Palaf LANGASAN
Return to the Theater of the Oppressed: Trans-Asia Sisters Theater’s Empowerment, Organizing and Mobilization_Hsiao-Chuan HSIA
Between Acting and Realities: Towards a Self-reflexive Practice of Shigang Mama Theater_LEE Show Shin
Review: Little Theater and the People_WU Sih-Fong
Part III Outspreads: Practices of People's Theater In Our Time
The Background and Activities of Theater Playground SHIIM_BAEK Dae-hyun and HONG Seung-yi
????? , ?? ?? ??? ?? (Korean)_BAEK Dae-hyun and HONG Seung-yi
Grass Stage at the North Gate of Foxconn: from World Factory to the Five-year Theatrical Practice of Workers’ Theater_ZHAO Chuan
At the Boundaries of Body, Society, and Theater_WANG Chu-yu
Yuquan Training: A Perspective in the Practice of Oz Theatre Company_LIU Hsin-hung
A Self-interview: Of Teatro em Casa and Glimpses of Mozambique’s Theater_Assane CASSIMO
Review: People’s Theater, A Total War Towards the Theater Institutions_KUO Liang-ting
Appendix
Biographies of Editors, Authors and Translators
Introduction to People’s Theater Practitioners
Glossary of English-Chinese/Original Terms
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